Why Topsy Turvy? The wonderful response to my painting "Gunnamatta" at the weekend (see earlier post) got me thinking: how did Leon and Jan acquire my painting "Topsy Turvy" in the early '90s?
And then it came to me.
For many years, we had a rustic house in a forest west of Melbourne, originally built by master stonemason Peter Bee in the mid-60s. Peter was a genius at recycling and repurposing building materials, and had a truly idiosyncratic approach to design.
The house had twelve sides (a duodecahedron, thanks Dad) and featured a central courtyard spanned by a twelve-sided radial pergola. This was built from "oregon", ie. Douglas fir. Which is a beautiful timber for internal beams, but not so great externally when exposed to the weather.
After 25 years, the pergola was on its last legs, which is where Leon (RIP) came in. I engaged him in his capacity as qualified architect to design a new roof for the courtyard. The "fee" was my painting, "Topsy Turvy".
Due to a difference of opinions between dear old Dad and myself, the roof was never built, and the house was sold after the passing of our parents. But we retain the bush block next door, and are very happy that the house is still in excellent hands.
And the painting?
It was inspired by a driving incident on a film shoot near Mt Isa in 1981. I was passenger in a Toyota HiLux driven by Bill the Unit Manager, who was just telling me how good he was as a rally driver when he took on a flooded creek crossing a fraction too fast, and we ended up upside down on the other side of the creek, with the HiLux sitting on its roof. The HiLux belonged to John the First Assistant Director, and had just been repaired after a previous crash, and it was quite the sticky situation.
Quite.
"Topsy Turvy", watercolour and gouache on paper, 1990
norvalwatson